I have my own hand-crafted personal art site operating under another online identity; so no,
it's unlikely that I would ever use the Art section here.
Side note: I also don't have attachment to MelonLand's aesthetics. In fact, I need to
douse MelonLand with heavy doses of CSS overlays to make it usable under my setup.
Anyway, if I would be posting any art-tangent stuff that I would show people here, I would rather post it on my own personal website, and link that here.
My Atom feed-based pseudo-Instagram is an example of such art which
I share here.
On the question in general, I'm one of the amateur artists who have used centralized art platform before. I liked that I could find many artists that I like in one place, in the same interface, as well as with decent ability for me to search for artworks I desire-- which are in turn, chances for me to discover new artists which I might like.
But after the half-decade-long tension of daily bitter fights between what I expect of the web vs. the technical direction which mainstream web have been heading to in general, I witnessed DeviantART's Eclipocalpse going down. That was the point I decided that I had enough with mainstream centralized art platform, and spent several years rebuilding my gallery from scratch, by hand (from concept, files layout, page design, to every line of code), hosted within a long-forgotten world of communal timesharing computing system which their entry being hidden from the uninitiated, behind the command line interface.
It is a place where I have control over how
(2) and who I serve my art to. While it's not as much control as self-hosting, it is a place with as much control as one could have without spending monies or tying real-life identity to it.
While I looked back to those centralized platforms sometimes, I would say that overall, I don't regret leaving. Being an introvert, I don't crave the "
Likes, Subscribes, and Comments" that much. And
in these days and age where art-laundering cartels (1) run amok, fine-grained control over art serving is paramount; and
I'm not willing to give up that control in exchange of what's so-called "exposure"-- especially when an off-site link (and maybe small thumbnail)
(3) should have been enough as a vehicle of sharing, like they were commonly-accepted in the World Wide Web of old.
(1) Usually euphemized as "generative AI" by their proponents. In general, I suggest that you use the word "content launderer" for this, instead of such euphemism.
(2) Which I nitpick a lot of things, from
the availability of plain olde HTTP, straightforward path naming schemes, NoScript compatibility, longevity of URL and identifiers, compliance to proper long-standing standards (like HTML 4.01 and CSS 2.1), usability in plain-HTML view (like text mode browsers). Pretty much
all art platforms today (and the Art section here is no exception) fail at least one of these points-- usually all of these points at once too, as far as I have looked.
(3) In in case of following, web feed. (Preferably an Atom feed)